Text, your own logo, or both together. Position it freely, tile it across the whole frame so it cannot be cropped away, and apply the same mark to an entire batch in one pass.
Drop your images here
or click to browse — select several files to watermark them all at once
Combine a logo mark with a copyright line, choose the typeface, colour and rotation, and add a shadow so light text stays readable over a bright photograph.
A single corner watermark is trivial to crop out. Repeating the mark diagonally across the frame, with adjustable spacing and angle, makes removal far more work than it is worth.
Load a folder of images, design the watermark once on the preview, then apply the identical mark to every file in a single pass.
Step by step
Drag one or many photos onto the box. Use the arrows in the toolbar to move between them.
Type a copyright line and pick a font, upload a PNG logo, or combine the two.
Around 60 to 70 percent opacity is usually the right balance between visible and unobtrusive.
Snap to one of nine positions, drag it anywhere on the image, or switch on tiling and adjust the spacing and angle.
Export the current image alone, or apply the same watermark to every file you loaded. Choose from PNG, WEBP, JPG, BMP or TIFF.
FAQ
A PNG with a transparent background, since only the mark itself appears over the photo rather than a white rectangle around it. SVG logos should be exported to PNG at a large size first so they stay crisp when scaled.
It deters casual reuse and makes the source obvious when an image is shared, but it is not legal protection in itself. Copyright exists from the moment a photograph is created; the watermark simply makes ownership visible and removal effortful.
A corner mark looks more professional and interferes less with the photo, which suits portfolio work. Tiling is the stronger deterrent because the mark overlaps the subject itself, so cropping it out destroys the image.
Between 55 and 75 percent works for most photographs. Below 40 percent the mark can disappear on busy backgrounds; above 85 percent it starts competing with the image for attention.
Any visible mark can in principle be edited out, and modern inpainting tools make it easier than it used to be. Placing the mark over detailed areas of the subject, rather than flat sky or background, makes convincing removal much harder.
No. The only mark on your image is the one you create. There is no branding, no signup requirement and no daily limit.
No. Both the photographs and your logo file are read directly by your browser, and the watermark is composited on your own device using the canvas element.
Browsers block rapid consecutive downloads as a security measure, so the files are released with a short delay between them. You may need to allow multiple downloads when your browser asks.
You can export in PNG (best quality, transparent), WEBP (modern, small), JPG (small file), BMP (uncompressed) and TIFF (professional printing).
This tool lets you add a watermark to an image online, using a line of text, your own logo, or both together. Choose from six typefaces including one designed for Arabic, set the colour, size, opacity and rotation, and add a soft shadow so a light mark stays legible over a bright photograph.
Placement is fully under your control. Snap the watermark to any of nine standard positions, or drag it anywhere on the image for a custom spot. For stronger protection, switch on tiling to repeat the mark diagonally across the entire frame, with adjustable spacing and angle. A tiled watermark overlaps the subject itself, which makes it far harder to crop or clone away than a single corner mark.
Batch mode handles a whole shoot at once. Load as many images as you like, design the watermark on the preview, then apply the identical mark to every file in a single pass. The toolbar arrows let you step through the images to check how the mark sits on each one before committing.
Export in multiple formats: PNG for transparency and best quality, WEBP for modern browsers and small files, JPG for compatibility and small size, BMP for uncompressed quality, or TIFF for professional printing.
Everything is composited locally through the browser canvas element, so neither your photographs nor your logo are uploaded to any server. That matters when you are watermarking client work or unpublished images, since the files never leave your device at any point.
To finish the job, pair this with the text and logo studio for richer typography, the face blur tool when an image contains people who should stay anonymous, the platform resizer for exact social dimensions, or the batch converter to compress everything before publishing.